Happy New Year — and Happy Awards Season!
The Golden Globes takes place this Sunday, Jan. 6, at the Beverly Hilton Hotel ballroom in Beverly Hills, California, and airs live on NBC. The nominees have been announced, and between now and then, it’s a guessing game.
Our producer-at-large Father Vince Kuna, C.S.C., a USC film-school grad, does a regular feature here called Based On, looking at literary works adapted into TV or movies. Here he looks at some of the nominated works he deems worthy, which originated in another form.
BLACK PANTHER, based on the Marvel comic.
(Best Motion Picture — Drama)
The film works on a popular and critical level because it does not stray from the original arc of the comics. The strong traditional family values and political isolationism of the land of Wakanda was recipe for strong box office and a Golden Globe for best picture.
THE WIFE, based on a Meg Wolitzer novel.
(Glenn Close, for Best Performance by an Actress in a Motion Picture — Drama)
A greater portion of the book version of the story takes place on a transatlantic flight to Stockholm, where Joan Castleman contemplates divorcing her writer husband, Joe. She’s the real writer behind his books, thus de-legitimizing any real claim he has to the Nobel Peace Prize for literature. The film works as a scenic Scandinavian travelogue, but the book better realizes the strained, yet still-hobbling-along marriage.
CRAZY RICH ASIANS, based on a Kevin Kwan novel.
(Best Motion Picture — Musical or Comedy; Constance Wu for Best Performance by an Actress in the category)
The book delves far deeper into the ugly underbelly of Singaporean high society. The novel features dogfighting as the main event of the bachelor party, while the film airbrushes this away. The film applies a similar cosmetic effect when Christianity is only given fleeting recognition. In the book, the magical sequence of the wedding becomes more a point of contention when the devout Christian aunts take issue with the church transforming into a lily pond.
SPIDER-MAN: INTO THE SPIDER-VERSE, based on the Marvel comics.
(Best Motion Picture — Animated)
The panel format of comic books limits the number of characters and their development over a five- or six-issue arc. Each arc really can only handle one or two Spiderman characters. The medium of animation, especially on the big screen knows no such boundaries.
SHARP OBJECTS, based on a Gillian Flynn novel.
(Best Television Limited Series or Motion Picture Made for Television; Amy Adams, for Best Performance by an Actress in the category; Patricia Clarkson, for Best Performance by a Supporting Actress in the category)
The HBO series succeeds because it doesn’t deviate from the novel — especially when the producers get the “spine” (pun intended) of the book right … the story is less about the detective procedural and more about the main character’s family dysfunction.
DIRTY JOHN. based on a true series of Los Angeles Times articles reported by Christopher Goffard.
(Connie Britton, for Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television)
The Bravo series about a confidence man deceiving a successful, yet naïve Orange County woman makes for an exalted Lifetime mini-series. The TV show failed to incorporate Debra Newell’s devout Christian faith. It would have provided far more texture and believable plot sequencing as Newell relies far too much on unconditional forgiveness, giving John Meehan’s facetious “mea culpa” one too many chances.
PATRICK MELROSE, based on a collection of short stories and novellas by Edward St. Aubyn.
(Benedict Cumberbatch, for Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television)
I was only able to make it through one novella of this leisure-class tale of decadence and addiction. Benedict Cumberbatch acts so well as the depraved titular character that I was only able to make it through one episode.