The latest in a series from Father Vince Kuna, C.S.C., a USC film-school grad and producer-at-large at Family Theater Productions.
My Brilliant Friend, an HBO series (Italian with English subtitles) directed by Saverio Costanzo, based on the first novel, “My Brilliant Friend,” of the Neapolitan Quartet written by Elena Ferrante; translated from the original Italian by Ann Goldstein. (TV-MA violence, some language, one scene of naturalistic nudity)
Imagine if one of Jane Austen’s female-coming-of-age works was relocated from genteel, well-appointed England and landed flat in the middle of brutal, poverty-ridden southern Italy, and you would have some inkling of the ferocity of the Neapolitan novels by Elena Ferrante.
Best friends Raffaella “Lila” Cerullo and Elena “Lenu” Greco meet in primary school and navigate the mean streets of 1950s Naples. The two are the smartest of their class and often singled out by their maestros as exemplary students. Despite the ubiquitous crucifixes that adorn every private business, public-school room and home, Neapolitans take most their social and moral cues, it seems, from the unofficial rulers of the day — black market mob bosses, embodied in this story by the aptly named Don Achille Carracci.
Violence marks many a public business transaction and informs the private dysfunction of the families who bear witness to it, day after miserable day. In the novel, a reader might almost miss the violence, the narrator; Lenu refers to it in fleeting, haunting prose. Adapting the material to the small screen, however, we see the brutality as the characters did, unflinching and in-your-face. HBO’s TV series (which recently ended its weekly run; and is now available On Demand and on HBO GO/HBO NOW) does not glorify it, but provides context for how scarred (and in some cases, inured) the townspeople become.
The childhood chapter ends with the murder of Don Achille. Some relief then is provided to the main characters by episode three, where we meet Lenu as she prepares to begin secondary school. Lila, the smarter of the two, can’t convince her parents to pay for her continued schooling and instead cobbles in their shoe-store, while voraciously reading books as an autodidact.
The story lost a layer of complexity when they changed Lenu’s course of studies from theology in the novel to Latin and Greek in the television series. Exposed to a world beyond the four-walled village, Lenu begins to question many things, the insularity of her hometown and the faith handed off to her. I’ve only read one novel, thus far, and hold a cautious optimism that the healthy questioning on her part will lead to greater faith later on.
The best part of both the novel and the TV series (and quite frankly in any TV show since Downton Abbey) are the courtship rituals. This staunchly Catholic neighborhood observes the most conservative of rites. Want to ask out the much fawned after Lila or Lenu? Ask one of their stern fathers, first. The old ways make for the best ways of storytelling. The period setting of the series requires the creative forces behind the series to eek out sexual tension and romance without peddling flesh.
Lenu and Lila arrive at Carracci’s to purchase their family’s Christmas grocery lists only to finds themselves at the end of an interminably long line. Brothers Stefano and Alfonso Carracci notice them and expedite their purchase. The charity does not happen without motive as Alfonso invites their families to the Carracci New Year’s Eve party. Teen crushes provide the setting for reconciliation of families otherwise opposed on the political spectrum and much stratified on the economic ladder.
I don’t speak Italian, but the writing and acting are so impeccably executed that I don’t feel I lose out on the rare humorous moments. Various suitors, including the most handsome of the village, Marcelo Solara, pursue Lila. Again, the social mores of the time demand Marcelo’s best-rehearsed flirt. He states he dreamt of her last night. Unimpressed, Lila responds: What of? That he proposed marriage to her. What was my response? Yes. Then, it really must have been a dream.
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