Category: Christians working in Arts and Media

Marshall McLuhan on Media and Faith, With FTP Founder Father Patrick Peyton

In his 1970s show “Matter of Faith,” Family Theater Productions founder Father Patrick Peyton, C.S.C., did an extended interview with media visionary Marshall McLuhan, who originated the phrase, “The medium is the message.”

Here’s how his official Website describes McLuhan (whose birthday is July 21):

McLuhan was still a twenty-year old undergraduate at the University of Manitoba, in western Canada, in the dirty thirties, when he wrote in his diary that he would never become an academic. He was learning in spite of his professors, but he would become a professor of English in spite of himself. After Manitoba, graduate work at Cambridge University planted the seed for McLuhan’s eventual move toward media analysis. Looking back on both his own Cambridge years and the longer history of the institution, he reflected that a principal aim of the faculty could be summarized as the training of perception, a phrase that aptly summarizes his own aim throughout his career.

McLuhan was also an adult convert to Catholicism. Said McLuhan:

I was reading [G.K.] Chesterton, and [Christopher] Dawson and [Jacques] Maritain and those people. That’s how I came in.

I had no instruction even from clergy at any time but there was a friend of mine who said, ‘Well, since you don’t believe in Christianity’ – I was an agnostic – he said ‘you could pray to God the Father. So you pray to God the Father and simply ask to be shown.’ And so I did.

And I didn’t know what I was going to be shown, all I said was, ‘Show me,’ and I didn’t ask to be relieved of any problems. I had no problems. I had no belief and no problems.

Well I was shown in a quite amazing way and quite unexpected: I was arguing about religion with a whole group of grad students one night at Wisconsin and one of them said to me suddenly, ‘Why aren’t you a Catholic?’ and I shut up because I didn’t know. Up to that moment, it had never occurred to me that I would ever become a Catholic. But I was suddenly caught. I became a Catholic at once within a few days.

In the three videos below, McLuhan — who had a prescient view of how man and modern media intersected, even though he’s speaking before the internet — talks to Father Peyton about how the instantaneous and enveloping nature of modern media affects man’s mind, heart and soul.

Here McLuhan discusses the value of the replay, the effects media has on interpersonal relationships, and faith and resonance.

Here McLuhan discusses resonance, joining the Church, and the Church as a source of nourishment.

Here McLuhan discusses women as victims of sexism, the mother’s role, and the nuclear family.

Looks like McLuhan and Father Peyton were well ahead of their time!

Image: Family Theater Productions

Visit the Family Theater Productions homepage and Facebook page to learn more about how FTP is reaching out to Hollywood and producing its own projects.

‘Today Is Friday’: Ernest Hemingway on the Crucifixion

Journalist and Nobel Prize-winning author Ernest Hemingway is known for many things — terse, spare writing; vivid characters; wartime experiences; outdoor adventures; and his unfortunate, self-inflicted death.

What’s less-known is that he was an adult convert to Catholicism from Protestantism — an imperfect Catholic, to be sure, but one whose search for God and the Faith wove its way through his work.

Even though he divorced his Catholic second wife, Pauline Pfeiffer, and married two more times after that, there was a Catholic presence at his burial in Ketchum, Idaho, in 1961.

From the obituary in The New York Times, cited in an article about Hemingway’s faith at TheBlogAlsoRises.com:

The Rev. Robert J. Waldemann, Roman Catholic pastor of St. Charles Church in Hailey, Idaho, and of Our Lady of the Snows in Ketchum, will conduct the services. Father Waldemann said that there would be no formal Catholic services. He said there would be no mass and probably no rosary, but he said that the matter of accident or suicide had no bearing on the funeral. “We pass no judgement on that and asked no questions,” he said.

There still was no official decision–and there may never be–as to whether the death of the writer early Sunday from the blast of a 12-gauge shotgun had been an accident or suicide. However, the fact that Mr. Hemingway had been divorced would bar him from a Catholic Church funeral. Catholic sources said there was nothing improper in a Catholic  priest saying prayers at graveside.

Friday, July 21, is Hemingway’s birthday (he was born in 1899), and in honor of that, I’m presenting one of his lesser-known works, a little play called “This Is Friday.” It features three Roman soldiers entering some sort of tavern late at night, where a Hebrew wine-seller named George interests them in different vintages.

In contemporary language — with some mild profanity and an ethnic slur against Jews thrown in — the soldiers discuss the day’s work, which included the crucifixion of Christ.

I asked the latest addition to the Family Theater Productions staff, Father Vince Kuna, C.S.C. — priest and filmmaker — to reflect on Hemingway and this play:

“Hemingway captured the reality of human nature like no other modern author. His minimalist style reflects his themes. The prose of his novels, however, will never quite match the near poetry of believing authors such as Flannery O’Connor and (“Silence” author Shusaku) Endo, of a similar era.

“The point I make is evidenced in the attached scene. The scene is a believable interpretation of a few soldiers processing the Crucifixion events. It, like most of Hemingway’s works, doesn’t aspire to go beyond horizontal theology (if that) — they only see a man who peculiarly chose to undergo His Crucifixion willingly. A hypothetical next scene, in Hemingway’s style, would see them returning to soldiering and not writing a theological summation, a la John’s Gospel.”

To learn more about Hemingway’s faith, you can click here and here and here, but I suspect the author would like his work to speak for itself.

So, here’s “Today Is Friday,” in its entirety (linked annotations courtesy of Genius.com):

Three Roman soldiers are in a drinking-place at eleven o’clock at nightThere are barrels around the wall. Behind the wooden counter is a Hebrew wine-seller. The three Roman soldiers are a little cock-eyed.

1st Roman Soldier—You tried the red?

2d Soldier—No, I ain’t tried it.

1st Soldier—You better try it.

2d Soldier—All right, George, we’ll have a round of the red.

Hebrew Wine-seller—Here you are, gentlemen. You’ll like that. [He sets down an earthenware pitcher that he has filled from one of the casks.] That’s a nice little wine.

1st Soldier—Have a drink of it yourself. [He turns to the third Roman soldier who is leaning on a barrel.] What’s the matter with you?

3d Roman Soldier—I got a gut-ache.

2d Soldier—You’ve been drinking water.

1st Soldier—Try some of the red.

3d Soldier—I can’t drink the damn stuff. It makes my gut sour.

1st Soldier—You been out here too long.

3d Soldier—Hell don’t I know it?

1st Soldier—Say, George, can’t you give this gentleman something to fix up his stomach?

Hebrew Wine-seller—I got it right here.

[The third Roman soldier tastes the cup that the wine-seller has mixed for him.]

3d Soldier—Hey, what you put in that, camel chips?

Wine-seller—You drink that right down, Lootenant. That’ll fix you up right.

3d Soldier—Well, I couldn’t feel any worse.

1st Soldier—Take a chance on it. George fixed me up fine the other day.

Wine-seller—You were in bad shape, Lootenant. I know what fixes up a bad stomach.

[The third Roman soldier drinks the cup down.]

3d Roman Soldier—Jesus Christ. [He makes a face.]

2d Soldier—That false alarm!

1st Soldier—Oh, I don’t know. He was pretty good in there today.

2d Soldier—Why didn’t he come down off the cross?

1st Soldier—He didn’t want to come down off the cross. That’s not his play.

2d Soldier—Show me a guy that doesn’t want to come down off the cross.

1st Soldier—Aw, hell, you don’t know anything about it. Ask George there. Did he want to come down off the cross, George?

Wine-seller—I’ll tell you, gentlemen, I wasn’t out there. It’s a thing I haven’t taken any interest in.

2d Soldier—Listen, I seen a lot of them—here and plenty of other places. Any time you show me one that doesn’t want to get down off the cross when the time comes—when the time comes, I mean—I’ll climb right up with him.

1st Soldier—I thought he was pretty good in there today.

3d Soldier—He was all right.

2d Roman Soldier—You guys don’t know what I’m talking about. I’m not saying whether he was good or not. What I mean is, when the time comes. When they first start nailing him, there isn’t none of them wouldn’t stop it if they could.

1st Soldier—Didn’t you follow it, George?

Wine-seller—No, I didn’t take any interest in it, Lootenant.

1st Soldier—I was surprised how he acted.

3d Soldier—The part I don’t like is the nailing them on. You know, that must get to you pretty bad.

2d Soldier—It isn’t that that’s so bad, as when they first lift ’em up. [He makes a lifting gesture with his two palms together.] When the weight starts to pull on ’em. That’s when it gets ’em.

3d Roman Soldier—It takes some of them pretty bad.

1st Soldier—Ain’t I seen ’em? I seen plenty of them. I tell you, he was pretty good in there today.

[The second Roman soldier smiles at the Hebrew wine-seller.]

2d Soldier—You’re a regular Christer, big boy.

1st Soldier—Sure, go on and kid him. But listen while I tell you something. He was pretty good in there today.

2d Soldier—What about some more wine?

[The wine-seller looks up expectantly. The third Roman soldier is sitting with his head down. He does not look well.]

3d Soldier—I don’t want any more.

2d Soldier—Just for two, George.

[The wine-seller puts out a pitcher of wine, a size smaller than the last one.

He leans forward on the wooden counter.]

1st Roman Soldier—You see his girl?

2d Soldier—Wasn’t I standing right by her?

1st Soldier—She’s a nice-looker.

2d Soldier—I knew her before he did. [He winks at the wine-seller.]

1st Soldier—I used to see her around the town.

2d Soldier—She used to have a lot of stuff. He never brought her no good luck.

1st Soldier—Oh, he ain’t lucky. But he looked pretty good to me in there today.

2d Soldier—What become of his gang?

1st Soldier—Oh, they faded out. Just the women stuck by him.

2d Roman Soldier—They were a pretty yellow crowd. When they seen him go up there they didn’t want any of it.

1st Soldier—The women stuck all right.

2d Soldier—Sure, they stuck all right.

1st Roman Soldier—You see me slip the old spear into him?

2d Roman Soldier—You’ll get into trouble doing that some day.

1st Soldier—It was the least I could do for him. I’ll tell you he looked pretty good to me in there today.

Hebrew Wine-seller—Gentlemen, you know I got to close.

1st Roman Soldier—We’ll have one more round.

2d Roman Soldier—What’s the use? This stuff don’t get you anywhere. Come on, let’s go.

1st Soldier—Just another round.

3d Roman Soldier—[Getting up from the barrel.] No, come on. Let’s go. I feel like hell tonight.

1st Soldier—Just one more.

2d Soldier—No, come on. We’re going to go. Good-night, George. Put it on the bill.

Wine-seller—Good-night, gentlemen. [He looks a little worried.] You couldn’t let me have a little something on account, Lootenant?

2d Roman Soldier—What the hell, George! Wednesday’s payday.

Wine-seller—It’s all right, Lootenant. Good-night, gentlemen.

[The three Roman soldiers go out the door into the street.]

[Outside in the street.]

2d Roman Soldier—George is a kike just like all the rest of them.

1st Roman Soldier—Oh, George is a nice fella.

2d Soldier—Everybody’s a nice fella to you tonight.

3d Roman Soldier—Come on, let’s go up to the barracks. I feel like hell tonight.

2d Soldier—You been out here too long.

3d Roman Soldier—No, it ain’t just that. I feel like hell.

2d Soldier—You been out here too long. That’s all.

CURTAIN

Images: Wikimedia Commons

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The Success of “The Bible’s” Mark Burnett — Minus the Bible Stuff

Faith-filled viewers know Mark Burnett as one-half of the producing team — with Catholic wife Roma Downey — of “The Bible” and its spin-off “Son of God,” along with “A.D.: The Bible Continues,” “The Dovekeepers” and the recent remake of “Ben-Hur.” He and Downey also launched a family- and faith-friendly digital broadcast channel called Light TV (which we reported on here).

People say that Christians aren’t making it big in showbiz, but Burnett proves that isn’t necessarily so.

Of course, his success with faith-based entertainment is built upon decades of producing shows for the mainstream entertainment market. In large part, the credibility he built with shows from “Eco-Challenge” to “Survivor” to “The Apprentice” to “Are You Smarter Than a 5th Grader?” and “The Voice” allows Burnett to dabble in Bible tales without damaging his showbiz viability.

In fact, one reason that “A.D.: The Bible Continues” went to NBC instead of History Channel, like “The Bible” miniseries before it, was because NBC was in business with Burnett on “The Voice” and wanted to participate in his new venture.

Last week, entertainment trade publication Variety did an extensive portrait of Burnett, who’s currently president of MGM Television and Digital Group, and managed not to mention a word about his faith-based efforts.

But, it’s worth a read, if only to get a sense of how a former British paratrooper and nanny managed to build a showbiz empire. Read the whole thing here, but below find an excerpt:

Burnett has long been established as one of TV’s most formidable and innovative producers. But his career took a new turn 18 months ago when he was named president of MGM Television and Digital Group, after MGM acquired the remaining 45% interest in Burnett’s United Artists Media Group production venture with Hearst Corp. MGM’s total purchase price for Burnett’s banner was around $600 million.

The executive post at the studio was a surprise to the industry. Burnett had always been the maverick head of his own independent shingle, leaving him free to partner opportunistically with networks and studios as projects arose. Was TV’s ultimate entrepreneurial producer really ready to hang up his cargo shorts and IFB earpiece to sit behind a desk? Perish the thought.

Burnett has adapted the job of running a studio division to his own style, with the encouragement of MGM chairman-CEO Gary Barber. He’s typically in the MGM offices once or twice a week at most. He hasn’t given up his hands-on role as executive producer of NBC’s “The Voice” or ABC’s “Shark Tank,” among other shows. Burnett and his wife, actress-producer Roma Downey, travel frequently in connection with various productions and the couple’s many passion projects. And MGM TV’s president still doesn’t spend much time wearing suits.

Image: Courtesy Kate O’Hare

Visit the Family Theater Productions homepage and Facebook page to learn more about how FTP is reaching out to Hollywood and producing its own projects.

‘Game of Thrones’: What If HBO’s Sexy, Violent Fantasy Is Your Only View of Faith?

“Game of Thrones” fans have kept the faith, but what about the show?

The social media world was abuzz on Sunday, July 16, with the long awaited premiere of the 7th season of Game of Thrones. While many Catholics, Protestants and other faithful question the morality of even watching the show, which is known for its graphic violence, sex and language, one fact that can’t be ignored is that millions of people watch each episode.

For example, from TechCrunch:

In total, the season 7 premiere reached a combined audience of 16.1 million viewers across its linear TV airing, same day DVR playback, and streaming via HBO GO and HBO NOW. That’s a 50 percent increase over the season 6 premiere last year, HBO says.

One things the show is not known for but is very much a part of series is religion. In fact, rather than being godless, the universe of Game of Thrones has too many gods. There are the Old Gods, symbolized by the Werewoods, trees with the faces of humans carved in them. This faith is vaguely pagan and has some of the trappings of Celtic Druids. Then, there are the New Gods, also known as The Seven, but they are 7 faces of 1 God. As many mainstream Christians might figure out, this is much like the concept of the Holy Trinity, 3 persons in 1 God.

The religion of the New Gods has definite connections to Medieval Christianity, especially since the religious of this faith wear clothes strongly reminiscent of nuns’ habits and monks’ robes. Sadly, the show depicts the hierarchy of this faith as righteous bullies who, in seeking the truth and talking about mercy, really focus on shame and power. The evil queen Cersei famously blows up their Great Sept (cathedral) with the High Sparrow (Pope or Patriarch) inside it after he threatens her rule.

A third religion follows the Lord of Light, R’hllor, who is a God of fire and the sun. This faith has the marking of Islam with R’hllor being a sometimes harsh god whose will is mysterious and is to be obeyed, not questioned. To the followers of R’hllor, all other religions are false and will ultimately need to be wiped out. Also, this Lord of Light occasionally demands that people be burned at the stake in sacrifice.

Lastly, there is the Faceless God, whose clergy are an assassin’s guild. This god is Death, the god that, according to his followers, everyone must eventually meet.

Why this matters is that since the show has 25 million viewers, and currently only 20% of the Catholic faithful actually attend Mass each week, there is a good chance more people watched Game of Thrones this past Sunday than the total number of Catholics who went to church in the entire nation. If this series has something to say about faith, be aware that it has a big audience listening. One interesting facet of the show is that it does indeed seem to have something say about faith.

A part of this first episode of the new season that didn’t get as much attention on Twitter is that the show brought up some pointed spiritual questions. These issues of faith came mostly through the character of Sandor Clegane, known as the Hound for his ferocity in battle and loyalty to the king.

He began the series as a notoriously violent, heartless, amoral and cynical character, who after being saved from grievous wounds by a septon (priest) of the New Gods – thankfully some followers of The Seven are shown as good – he seems to be undergoing a change of heart.

In this most recent episode, Sandor has joined a band of Robin Hood-style outlaws who are trying to fight for justice for the common people. The outlaws believe in the Lord of Light, whose followers often do good things when they’re not burning people at the stake. Sandor’s one great weakness is a fear of fire which has plagued him since childhood when he was badly burned as a boy. He makes the comment “Just my luck that I would fall in with a band of fire worshippers” to which the priest of the group replies to the atheistic Clegane, “Yes, it’s almost like divine justice.” This is not lost on Sandor.

The leader of the outlaws, Beric Dondarrion, is famous because he has been killed multiple times, but on each occasion, the priest has brought him back to life by the power of R’hllor. After coming across a cottage containing a dead peasant and his daughter, Sandor accosts Beric with a question “Why you [Beric]? Why does the Lord of Light bring you back to life but not these people? And not this little girl? You are no better than her.”

Now both of these statements make for a scenario to which most people, especially people of faith, can relate. Events happen in our lives – “coincidences”, or “divine providence” the faithful might say – that seem to clearly indicate God’s hand at work. Then, life moves in another direction and God is seemingly nowhere to be found. This ranges from terrorist attacks that kill innocents, to seemingly bad people having good jobs, positions of power, or the luxuries of life, while seemingly good people live in poverty, get passed over at work, or struggle with finances or health. We wonder why? Is God there, if so, does He care?

The key thing for us who believe in Christ is that Jesus helps us understand the answers to these questions. While in each individual case the answer may vary, the important thing is that we ultimately know that we have a good God who suffers with us, and who has suffered for us and, no matter the good or the bad, will never leave our side.

It is interesting to note that a show so popular is asking some of the big questions of life and ones that are very theological. Where interest needs to meet action is that we must take the challenge of getting to know our faith so we understand the answers to such questions and can give a better response than Beric’s, whose only reply to Clegane is “You’re right. I don’t know. I guess the Lord isn’t done with me yet.”

We need theses answers for ourselves… and just in case one of our friends, family or acquaintances happens to be one of those millions of viewers, especially if Game of Thrones is one of the only ways they encounter religion at all.

Tony Sands is the Senior Producer for Family Theater Productions

Image: Courtesy HBO

Visit the Family Theater Productions homepage and Facebook page to learn more about how FTP is reaching out to Hollywood and producing its own projects.

‘Will’ on TNT: Seminarian Views Racy Series About a Catholic Shakespeare

This summer at Family Theater Productions, we have Holy Cross seminarian Brogan Ryan visiting from Notre Dame, so I asked him to take a look at “Will,” the new Monday-night TNT drama about William Shakespeare, which premiered last week. I reviewed it here, but in short, it’s a fast-paced, racy (for sexual content mostly) look at young Shakespeare in London, complete with punk-style costumes, hair and makeup, and modern music woven in.

But, writer Craig Pearce has done his homework, and much of the background info for his historical characters does have basis in fact. He’s also included, as fact in the series, the long-held belief of many scholars that Shakespeare was a secret Catholic — which put him in peril in the stridently Protestant England of Elizabeth I.

“Will” is definitely late-teens and adult fare, but under the more sensational elements, Ryan has found a deeper meaning.

From the beginning of Saint Augustine’s Confessions: “Our hearts are restless until they rest in you.” Many might not know the line that precedes it: “You have made us for yourself, O Lord.” This often forgotten, possibly overlooked, statement places the well-known one that follows it in its proper theological and spiritual context. “You have made us for yourself, O Lord, and our hearts are restless until they rest in you.” (1.1) It is true that we as human beings are seekers who often find ourselves wandering the earth chasing our passions, looking for love and meaning and purpose, but Saint Augustine knows the end for which we as humans were created: God made us for Himself. God is the source and proper end of all of our human restlessness. Our passions come from Him and properly followed lead to Him.

In Will, Craig Pearce seizes on and caricatures this very human reality.

In the opening scene of the first episode, we see young Will Shakespeare leaving his family to move to London and pursue a writing career – his heart’s desire. Even though he has a wife and children, his life as a glove maker is not cutting it. “I dreamt this for us,” Will says to his wife as he leaves. “You dreamt this for you,” she responds.

What makes Will such a compelling character, and why I will continue to watch, even through some of the gratuitousness that the first four episodes contains, is that I believe that Will is also trying to live God’s dream for him. Will is not a perfect person and makes missteps aplenty. His passions are raw and unrefined. They need to be directed, guided and purified.

We see (and I was edified by!) Will seeking out his cousin and underground Catholic priest, Robert Southwell, for spiritual guidance and sacramental reconciliation. It becomes clear that Will believes he is serving a larger purpose and working towards a greater end than his own personal wealth, fame and glory. These fascinations of the world are personified in the character of Christopher Marlowe, who has similar passions to Will and possibly even similar abilities, but Marlowe uses them to serve himself. Marlowe’s passions rule him instead of serve him and end up stifling his creative spirit rather than freeing it – a fact we see in Marlowe’s attempt to use pleasure and sensuality to cure his writers block. (It does not!)

Most of the action and drama in the series stems from the conflict and tension that arises from people acting out of their passions. The Catholic-Protestant struggle is a very obvious example of this (the vicious and cruel torture by Richard Topcliffe is in conflict with the stubborn faith and refusal to yield by the underground Catholics. Both hold deep, deep convictions about the rightness of their faith convictions).

Examples of the struggle between good and bad, right and wrong, and grace and evil abound in the series, with Will and others often ending up on the disappointing side of the equation. While these struggles can make for entertaining television, most will find the less obviously answered spiritual and personal tensions more compelling. Struggles with faith, family issues, fidelity, freedom, and finances all work to portray Will as a character who is truly passionate, but also restless.

In what seems like the final, damning straw in a pretty rapid decent for Will’s moral character, Will tells Southwell that he will not help with Southwell’s underground Catholic publishing project. Will wants to focus on his playwriting craft. If we were to hold Marlowe and Southwell as opposite extremes in Will’s moral sphere of influence, it seems like Will has chosen the path of Marlowe – his career and the temporal world over God and the spiritual world, serving his own passions rather than using his passions to serve the Lord.

Whether this is actually the case remains to be seen.

If done well, Will could be a series which captures well the spirit of Augustine. Will’s struggles all point toward a man trying to discern and follow his vocation – God’s dream for him and the proper end for which his passions exist. This is intriguing because it could lead to a story line that we Catholics do not expect. Acknowledging that God has made Will for God’s self means that Will’s ultimate rest – the realization of who God created him to be – might actually lie in writing beautiful plays and poems that bring others to God. His vocation might take him to a place where he is serving the Church indirectly rather than directly. It is possible that Will is not turning his back on God by declining Southwell’s invitation but rather is remaining faithful to God by responding in a different way, like a woman or man who might discern marriage over the religious life or seminary.

Will’s vocation is to be a playwright, not a glove-maker nor a fugitive author. He is restless and at times wayward, for sure, but is also learning that his restlessness is moving him more and more towards the God who made him.

This is my hope, at least, and why I’ll keep watching.

Have you seen the show? Are Ryan’s hopes well-founded? Let us know …

Image: Courtesy TNT

Visit the Family Theater Productions homepage and Facebook page to learn more about how FTP is reaching out to Hollywood and producing its own projects.

Monks of Norcia: Benedictine Brothers Bet on Beer to Overcome Earthquake Devastation

In honor of the July 11 Feast of Saint Benedict of Nursia (a k a Norcia), let’s check in with the Monks of Norcia, who became world-famous for their Gregorian-chant CD, “Benedicta,” which came out in 2015.

But becoming international music superstars didn’t insulate them from the ravages of nature, in the form of powerful earthquakes that struck their region in Umbria in August and October of 2016. Hundreds of people were killed, many more displaced, and the monks’ home, the 14th-century Basilica of St. Benedict, was destroyed.

Here’s how they describe themselves on their Website:

The Monastery of San Benedetto in Monte is perched above the ancient town of Nursia, birthplace of St. Benedict, founder of Western monasticism.

The Monks of Norcia, who have called the city home since the year 2000, were forced to begin work on a new, seismic-resistant monastery on site of their old monastic grange when a series of devastating earthquakes destroyed their church and home in town in 2016.

The international community of monks who live there are committed to living according to the ancient observance of the Rule of St. Benedict and understand this otherwise tragic moment in history as a call from God to deepen their vocation as men of prayer, conversion, study and manual labor, and to prefer nothing to the love of Christ.

But music alone is not enough to make the monks self-supporting, as is called for in the Rule of Saint Benedict, who wanted his monastics to live by the work of their hands. The Monks of Norcia took up the brewing of beer called Birra Nursia, which landed in the U.S. in the spring of 2016 — only months before the quakes.

Amazingly, the quakes spared the brewery, so the monks are counting on thirsty customers buying in stores and online to help rebuild their monastery and their mission to the surrounding area and the world.

From The New York Times:

Led by Father Folsom, who is the prior emeritus, the monks now number 15. They learned beer-making from experienced Trappist brewmasters in Belgium, and began to make Nursia in 2012. The beer’s name was chosen “specifically to help the townspeople, rather than naming it after St. Benedict,” Father Nivakoff said.

“We wanted people to identify the beer with the town,” and to help support it, he added.

Brother Augustine Wilmeth, who was born in South Carolina and serves as the brewmaster, said Nursia was “the only monastic beer in the world that is made exclusively by the monks.”

Other monastic brewing operations, he explained, have grown into milliondollar enterprises with many workers. In Norcia, the monks do everything themselves, producing around 10,000 bottles each month.

Meet Father Folsom, on EWTN’s “The Journey Home”:

And when you have some extra time, here’s a whole documentary, from the pre-quake days in 2012 …

Here’s to hoping they find the time to produce some more beautiful music for the world.

Images: Courtesy Monks of Norcia

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